It’s the MCM Expo in London all this weekend. And that means fan art – you know the type of thing:
Come join the comics/tv/film/games/cosplay madness! Here’s my review from last year. There’s a very interesting mix of comics stuff this time around, loads of which I’m unfamiliar with, so I’m bringing my pennies in the hope of making some discoveries. I’m sharing a table with small press/big laugh stalwarts Cliodhna Lyons and Joe Decie. See you there!
Tom Humberstone has announced the details of a launch party for the new edition of the anthology Solipsistic Pop of which I’m a very happy contributor. Here’s the flyer (using some artwork from my story – I’m honoured!)
I went to the last launch party for SP at the late lamented Cross Kings pub and it was a lot of fun – comedians, bands and lots of nice comics people too. SP3 will be on sale so do come along and celebrate this fantastic book! (It’s also available for pre-order here).
I’ve been doing some comicking for a forthcoming issue of the Birdsong anthology. Here is a panelette for the purposes of intriguement:
What is going on here? There are many scenarios which naturally or un-naturally spring to mind. You’ll have to wait and see.
I’m reusing the characters I created for a short tale in the first Birdsong book. I really like using these chaps as, unusually for me, they have absolutely no back story.
Normally, I have whole biographies for my characters worked out in my head. But these fellows just get picked up and put down in a situation and I write how they interact with each other in that situation. It’s fun to do character pieces and not to have to worry (too much) about plot.
The first Birdsong book is still available from the lovely people at Failboat Press, containing comics from Warwick Johnson Cadwell, Sarah McIntyre, Nikki Stuart, Lou Ho and Will Kirkby. It’s one of the best comics to have come out this year (even if I do say so myself).
Meanwhile, I’m getting ready for the next London MCM Expo and Thoughtbubble. Lots to do!
I’ve been very lucky to have been invited to contribute to the next issue of the UK small press anthology Solipsistic Pop, which is due out in November. Editor Tom Humberstone has been posting previews at the SP site including one from my story, The Squire:
The theme of the anthology was ‘Wonder’ with the intention of creating a book that could act as a primer for younger readers on the delights of alternative comic world. Tom chose the red and black colour scheme as a tribute to the old Beano style and Marc Ellerby’s cover also reflects that retro feel. There are great contributions from across the UK comics scene and it’s a fantastic looking book – I can’t wait to to see it in print!
Alex Fitch asked me to review an anime for the September edition of Electric Sheep, but I sent the Queen Mum along instead. Take a look at her review of:
This is an excerpt from a Thoughtbubbly thing I’m doing.
I’m covering all the options for keeping cool today. I’m even showing my knees. Have a good weekend!
It is also time for ice cream and skiving, I think.
This weekend saw the annual emotional carnage of St Valentine’s Day, the patron saint of unrealistic expectations, ready-meals for one and nights in with only the cold shoulder of loneliness on which to shed bitter, melancholy tears…
Anyway, back to me: I was at the Alternative Press Fair, celebrating its first birthday, and a jolly event it was too. Not as busy as last year, but I came away with more cash than the previous event, perhaps because I was selling more ‘big ticket’ items. It’s swings and roundabouts with these things I suppose.
It was a sort of pre-launch for the Birdsong/Songbird anthology (available here), which looked very fine and had a lot of interest, and I sold quite a few saucy Valentine’s cards (example above – one lady bought two even though she was single. Bless.), as well as prints and minis. Thanks if you came and bought something and said hello!
I was sat next to the master of ink and wash, Joe Decie and we put the world to rights with the help of a few beers and Al Maceachern later on, even the bits of the world that didn’t necessarily need righting. I also sat next to Will Morris, comics newbie, whose work was getting a lot of interest and who I’m sure is someone to look out for in the future.
Other discoveries: Kristyna Baczynski, who traded prints with me and does some lovely work. Also, the unofficial book of the show, The Static Revolter, by Kevin Ward and Lord Hurk. Beautifully produced – everyone seemed to be carrying a copy.
Congrats to Jimi, Peter and team on another great event – just the right cosy mix of social stuff and art stuff. The perfect antidote to romance.
PS. I’ll be catching up with my 100 days project shortly. Angouleme put a spanner in the works temporarily but I’ll be back on track soon.
Lots of people have already written about how good the Leeds Thoughtbubble festival was – see here for a summary, including lots of photos. I can only echo those good reports: it was a well-organised (could have done with a floor-plan but that’s a small gripe), well-attended event. Even though the day seemed to go quite slowly, I had my best sales for any event – including the Thing which usually beats everything else hands down.
Here’s a few of the characters who were present:
Hugh Raine, Joe Decie and Al Maceachern, otherwise know as the Twelve Eyes collective, with table decoration Dale O’Flaherty. I bought a couple of comics from these chaps. Highly recommended reads and gentlemen all.
My table-neighbour Phil Spence of Ninja Bunny fame. I had an empty table on my other side which didn’t look too good. In front of me was the Forbidden Planet stall – who had put boxes of their stock on the floor, sticking out into the aisle – which meant I had the pleasure of staring at copious arse crack for most of the day, as people bent over for a quick rummage.
Garen’s been on the convention trail plugging his excellent book. Dave popped over to my table to say hello – always a pleasure to have a chat with him, which reminded me I’m doing a story for the 2011 Accent UK anthology.
Will and Lou showed me a mock-up copy of the Birdsong/Songbird Anthology they are editing (containing a little story by me). It’s going to be such a beautiful book with all the effort they are putting into the production, and Will’s work in it is his best yet, in my opinion. I can’t wait to see it. I also got to say hello to Warwick Johnson Cadwell, another contributor, who was visiting with the family.
Sorry if I’ve not included you (or maybe you’re not so sorry) – perhaps it’ll be your turn at the next convention….
Jessica Fletcher, probably the most successful serial killer in history. The corpses pile up around her, and yet the police are quite happy to pin the blame on Lesley-Anne Down, Lorenzo Lamas or whatever Z-lister happens to be passing, gullibly accepting the old lady’s increasingly outlandish explanations. It’s all material for her books, of course. Though we never see her write a single word…
Drawn for funny chap Timothy Winchester’s Jessica Fletcher Week here.
The chimney in our flat was swept this morning. This was a new experience for me and I was astonished to see our chimney sweep was neither Dick Van Dyke nor a filthy, malnourished urchin, but the well-scrubbed Phil from Forest Hill.
He still used the flat-top brush but these days they have a vacuum cleaner stuck to the end to catch all the soot.
Happily, all was in order with our flue (no birds, skeletons of nannies or obvious structural defects) and I got to see the brush poking out of the top of the chimney pot which was most satisfying. Chim chim cher-oo.
The Observer newspaper has been running a graphic novel short story competition for the past three years, but this is the first time I’ve ever entered. The winner was announced on Friday and printed in Sunday’s Observer: Viven McDermid’s story Paint.
What I love about this competition is the way it really makes everyone work an extra bit harder on their comics and also how it throws up new artists and unconventional styles and stories. More often than not I’ve never even heard of the artists in the winning pool – the competition seems to draw creators from all kinds of artistic backgrounds. This is great, as part of the competition’s remit is to discover new and emerging talent, as well as publicising the medium as a whole. People often seem to view it as a technical ‘who’s the best’ kind of competition and I think that’s a bit unfortunate. It’s all about testing what can be done with the medium and stretching the boundaries a bit.
My entry, Blip, is below. I had huge fun doing it. Congratulations to Vivien and runner up Joff Winterhart and I’m looking forward to seeing everyone else’s entries.
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[The Forbidden Planet blog has more details on the winners.]
I created this for a print for the MCM Expo. Didn’t see any Journey to the West cosplayers though.
Part of me, if not all of me, was dreading this event. Having heard of the madness of the cosplayer hordes, I was convinced I was going to hate it. However, the tables in the “comic village” were a very reasonable price, and as I live less than an hour away from the Excel Centre it seemed foolish to miss out on a chance to shill, especially as organiser Emma Vieceli had gone to some trouble to fit a load of last minute tables for exhibitors into the hall.
As it turned out, I really enjoyed myself: the ladies, gentlemen and undecideds of the cosplayer community were really nice and entertaining (apart from a fat little Naruto who tried to half-inch all my toffee giveaways) and, considering there was a room full of thousands of youngsters who had queued for literally hours to get in, they were surprisingly well-behaved. But oh, the cruelty of spandex! Herds of camels must have been slaughtered for the number of toes on display.
I enjoyed the taiko drumming displays, though I think I was far enough away from it not to suffer from sonic shock that some of the other exhibitors were having to deal with, and I saw the cosplay dancing demonstration enough times to learn all the moves by heart. Performances on request.
Trade felt slow, as might be expected at a games/manga/films-oriented event, but once I’d cashed up I found that financially I’d actually done better than I had at BICS in 2008. Whilst my comics had not sold so well, sales of prints and badges had made up for it. I guess this demonstrates you have to think about who your potential punters are and target your wares accordingly. The crowd were not likely to risk their pennies on something new and were more likely to go with something familiar: I noticed that most people who bought badges were not much bothered as to what was on them, they just wanted something to collect. It’s definitely a place where those with a more ‘showbiz’ attitude to selling will do well.
The usual small press suspects were all present: particular thanks to Sarah and Dave for minding my table whilst I had a break.
Shout-outs to:
Wonderful table neighbours Gary Erskine (I was really impressed by the time he spent talking to his punters) and lovely Kat Nicholson and friends;
the nice people at Supermonko;
the chaps from D-Con, which looks like it might be fun;
and a gentleman called Joseph who wants to turn my pics into 3-d paper sculptures.
I was briefly interviewed by the Geek Syndicate guys and had a longer chat with Dickon Harris from Panel Borders. I keep having flashbacks to the daft things I was saying so I doubt I’ll be able to listen to them in case I die of The Cringe, but if I get details of the broadcasts I’ll post about it.
A great addition to the regular convention circuit. There are already plenty of pics of the mayhem on Flickr.
